Thursday, October 4, 2018

Call me maybe...not


Okay, so torn between American and European guidelines about preventative mammography, I finally decided to meet them somewhere – almost – half way, and at 43 have my first screening.
I showed up at the clinic on time – unlike the two previous times in the span of two years, when I deliberately missed the appointments – signed in and followed the nurse down the corridor to preventative medicine. She handed me a white bathrobe explaining the process: disrobe completely from the waist up, put belongings in the tiny locker and wait to be called in the adjacent waiting area.
I did as she said and feeling somewhat violated by the hospital bathrobe proceeded to the waiting room. There were four women inside but no chatter. It was cold, very cold. Actually it was so cold that even my inverted left nipple almost fully popped out. I sat down waiting for my turn and about ten minutes later another nurse showed up and called my name.
We went to the mammography room and she asked me if I had used antiperspirant. I said no because the instructions I received in the mail said not to use deodorant. She asked a few questions about family history – not in general, but related to boobies. She explained what she was about to do and instructed me to put my left boob between two plates of the mammo machine. She then proceeded to wind them up clamping my breast tightly between – and I mean tightly! It was painful, and I could not move an inch. If the building crumbled down at that very moment I would be stuck with (or in) the machine. Sort of like Jeff Daniels in the movie Dumb and Dumber, when he licked the frozen pole gluing his tongue to it in the process. The nurse  took an image, which was fast, and loosened the plates letting my boob free. I massaged it complaining about the treatment: my boobies are not that perky to begin with and they don’t really appreciate being squeezed to oblivion by a machine. In so many words. The right breast then endured the same harassment and that was it.
The nurse said that it takes up to a week to receive the results but on day three which was a Friday afternoon, my phone rang and a different nurse told me that I have dense breasts (which sounded like quite a compliment) and that the right one is okay, but the left one needs more imaging because there is an architectural distortion present. My heart sank a bit – a big bit – while I was trying to assess the seriousness of those two words: architectural distortion. I told her that my left nipple is naturally inverted but she said that this was in a different area, 3cm from the nipple, on the left side – at “nine o’clock” position and about 0.5 mm large. Or something like that. I was trying to remember as much as possible, but somehow her words kept bouncing back without being processed. She scheduled me an appointed for the following week and hung up. I was left with my architectural distortion, deep anguish and, of course, the Internet. I immediately searched for the newly discovered term, hoping that the results will reveal a trivial asymmetry in the boobie mass. Turns out, AD is a disruption of the normal pattern of structures in the breast (a very simplified definition) and although it is most likely nothing to worry about (yeah, right) it is also the third most common sign of breast cancer. So, yes, cold sweat – a whole weekend of cold sweat sprinkled with all kinds of information and personal experiences shared on internet forums. By Sunday afternoon, I was an architectural distortion expert with a panic distorted mind. On Monday, I went back for another photo shoot called tomography, got more pictures taken at different angles – sliced, I think they said – went back to work, got another call from the nurse saying that they would also need to do an ultrasound. Okay. Went back for the ultrasound. I lay down on the bed in the dark room, was propped up on the side, had some ultrasound-friendly gel smeared over my poor, left breast, which I realized I loved so much (who cares about the inverted nipple?!) and watched the nurse freeze images on the screen. And what was on the screen? Some fifty shades of grey that I could not read. Then a blast of orange-red. The blood flow. The nurse just kept clicking and clicking, I guess looking for the “money shot” as I think they call it in fashion. I asked her if she saw anything…you know…at which she replied that it is not her job to discuss that with patients, that she just takes images, and the doctor will soon come in and speak to me. So, that’s it: the doctor will speak to me. I felt a cold shiver run down my back, I skipped a few breaths and like a bad swimmer in a wide, muddy, and powerful river, let myself be carried by the flow. The doctor will soon show up to push my head under water anyway. The nurse finished her patient case number xxxxx which I was, told me that the radiologist will come in in a few minutes to discuss the findings, and left. I got up and quickly put on my clothes. I stood in the room, like on the gallows, looking at the door through which the executioner was about to appear. I was on the verge of a full blown panic attack. I wanted to run away. I had to pee. Why did I even agree to have the stupid mammogram?! Where is the doctor? What is taking so long? It’s been almost three minutes! Or four? Or an eternity?! I had to pee. I stepped out of the room. The restroom was just outside the door…then I heard the “doctor’s door” open. I froze, just like an image on the ultrasound machine. I took a deep breath and with my head (seemingly) high went back to the room to face the verdict. The radiologist was quite young, pretty, with a pleasant smile. Reminded me of Zoe Saldana. I thought of Avatar, the first movie I saw in 3D. I still have the glasses at home. Those weird, uninvited thoughts.
I looked at the doctor, withholding breathing. She was surprised I was already dressed. Said that patients usually dress after the visit is over. “You are fine”, she said. What? I needed to hear it again just to make sure I wasn’t having a psychotic episode in which I was hearing what I wanted to hear. “You are fine”, she confirmed. I almost let my bladder go. She said some other things which I don’t even remember. All that was important was that she took the noose off my neck and let me walk. I wanted to lift her from the ground and twirl her around the room and in my mind I did exactly that. In reality I squeezed her hands and exclaimed a thank you. I left. I went to the restroom and started to cry. Tears of joy take us to a different dimension it seems, because if you think about it, they are not that common. I let them flow, myself sort of floating between two worlds, liberated.
Mammogram false positives and the anxiety they bring are some of the reasons that they are not recommended in Europe under the age of 50. They are said to cause unnecessary stress that in combination with unnecessary extra screening  outweighs the benefits, especially in women with no family history of BC. What they don’t mention is the new appreciation of life one gets after a false positive. It’s like flying on the melody of Luis Armstrong’s “wonderful world”. As I was driving out of the hospital parking lot, even the dust on the sides of my not so clean windshield, looked beautiful to me. So if you ever get a call back, please don’t forget that it might be just that. Like a prank call. And hopefully it is. And nurses, please don’t call us for “more imaging” on a Friday afternoon unless you are scheduling it for Saturday morning, because whatever it is that you have to say, surely can wait until Monday. Let us have a peaceful weekend.

Thursday, September 27, 2018

The flash fiction of Martin Dean: Honk, honk, Gandhi, and who am I?


Mother told me yesterday that my first given name is Martin. Dean is my middle. Fanning is my last. I am not Dean Martin. I am Martin Dean and it does not just roll down the tongue like my preferred name that I grew up with. It does not roll! I am having an identity crisis. This guy behind me is now honking. It’s the rush hour after work and the traffic chaos is full blown. I am helping reduce the clog by letting a few cars cut in and drive in the opposite direction. I am being a friendly driver, a good citizen and pollution minimizer whereas the guy behind me is a traffic asshole who keeps honking so I would move my car’s ass so that his car’s ass can sit among the stagnant group of cars ten feet closer to the traffic light that is showing red. He started honking after the second car. After the third, his honking got madder and easily translatable to our human language. I understand honkish and I know that he is saying some nasty stuff. I get out of my car and yell at him. He stops and looks away. I probably look crazy. I get back in my car and pull away. I am not a violent person and I avoid conflict as much as possible. I help clear the traffic jam. I wear a shirt with Gandhi’s face on it but I can be pretty intimidating. Also, there are grown people who don’t even know who Gandhi is. That’s the kind of world we live in. Martin Dean. What a shitty name. It’s like going from the Rat Pack to the Pack Rat. A humiliating identity demotion. But I am now riding a green wave, so that’s good.

Wednesday, September 26, 2018

Alien-ating fans. Or about a movie.


                                                                                                                                        August 18, 2017


Alien: Covenant. Saw it the other night. Impressions? They even brought a second in command with short brown hair, brown eyes. Disagreeing with the captain about his decision that puts the mission in possible jeopardy. Ripley by the book. To mirror it. I have yet to meet an Alien fan – or SF for that matter – who did not like Lt Ripley. But this one – Daniels I think – she cannot clench her jaw like Ripley, so I don’t care. I mean, I watched the movie, however predictable – that twist at the end, you know, with Walter – that was no twist at all. Now the weird thing I realized about this film was the severe lack of emotional investment in characters. First scene with Captain Jake burning up in the sleeping pod. It’s a movie. We haven’t seen Jake at all prior to his demise. So who cares. Oh, it’s James Franco – is that supposed to connect with the audience? The director should stick with the ‘pet the dog’ trick. More people like dogs than they like James Franco. And the new captain who is not an unpleasant dude at all although he is trying – I mean, not letting his crew have a moment for Franco’s Jake who is also Daniels’ husband. How “frustrating” and even more implausible was that. “They disobeyed a direct order”. Wow, goose bumps. So they find that new possible promised land. And they land. And now that guy…I don’t know, let’s call him Crew Member #5…he steps away to light a cigarette. A cigarette. The dude space traveler on an American spaceship in some 2106 has cigarettes on him. Somebody tell the director that the setting is not any place in the good old 1970s. So yeah, Crew Member #5, when you were born, cigarettes were already retired in a museum of past centuries’ bad habits along with burgers, sugar and all the other good stuff. So that flying virus in your ear – totally avoidable and some might even say well deserved for trying to fool us about smoking! Moving on to special effects. They have become so special that it’s becoming increasingly difficult to take those movie stories into any kind of consideration because they look like video games. And nobody ever downed a person or a chopper or a Donkey Kong in a video game and felt any sympathy towards the animations. At least I hope not. For their own sake. And let me tell you, the little aliens being born and plastering themselves on someone’s face as ‘it’ used to do – nice try – but it only made me want to turn off The Covenant and look for the original fucker. Now I wish that the producers, or distributors, or studios, or Kanye West, or whoever is in charge – would along with the new hopeful money makers also re-release the original Alien. You know, give the younglings a chance to experience SF greatness in the dark of a movie theater. Where everyone can hear you scream.



The flash fiction of Dean Martin: Underpinnings


Sometimes I wonder if (the) Dean Martin ever went shopping – like for himself and on his own. Well, I don’t really wonder about it – it’s just a thought that crossed my mind today when I went to the mall in search of new and clean underwear. I saw a pretty girl at the store. She was buying boxers for her – it’s safe to assume – boyfriend or such. I envy those guys who have girlfriends to buy them stuff like socks and boxers. I mean, that’s one of the reasons I envy them – there are others, too. I spent one hour and 38 dollars at the mall. All on underpinnings. It’s more than I had planned in both time and money but I chanced upon some Globetrotters boxers and a Wonder Woman undershirt that I had to have. It was from a small boutique shop next to Gap. While I was trotting home, I wondered how the hell is that Gap store still in business.

Tuesday, September 25, 2018

The Flash Fiction of Dean Martin: The Question



Even though the weather was perfect for sleeping, Dean Martin woke up with one of the big questions about human existence. What is the purpose of life? Dean Martin is not a philosopher and he didn’t look for that question. And he didn’t want it. It seemed to have squatted somewhere deep in his mind, in a corner he didn’t know existed, and then pounced on him the moment he woke up. The rain was tapping on the window by his bed and he wasn’t in the mood to look for answers but the question insisted: what is the purpose, what is the purpose? Dean Martin was cornered in his bed. Is it to – as the Bard said – find your gift and give it away? What if the only gift to find is some plastic junk toy under a Christmas tree? Does everybody have a gift? What if they don’t? What if they just spend their entire lives looking for something that’s not there? What do you give away if you don’t have a gift? What if I don’t have any gifts, thought Dean? Or maybe there is some other purpose – like to get married, reproduce, help your kids secure incredible amounts of education money they will then have to work their entire lives to pay back? What is the purpose of life, Dean, what is it?! Fuck, I don’t know, thought Dean and got up to fix some coffee.

Franks and Deans and Peggy Sue




My name is Dean Martin. Not ‘the’ Dean Martin. Just a random guy who has the name but not the voice.

I don’t want anything. And I think that’s my trick to happiness.

I trained myself to believe and live by that maxim when I was just out of college and landed a good job that was promising a long and successful career. And my girlfriend Peggy Sue and I were planning to join each other in marriage that was also promising to be long and successful just like the one my parents had. It sounded like a good life to me and I was ready. I was young but mature enough to be ready. The night before our wedding, my best friend Harry threw me a moderately wild bachelor party which I ditched around midnight to go see my future bride. I was tipsy and was hoping to get a little action from her. When I got to her place, she was fucking her neighbor Frank who got so scared when he saw me that he stood straight in front of me, naked, quiet and petrified, for about ten seconds before he crashed to the wooden floor and died of a heart attack. To this day, all I remember about him is how he stood naked before me and even though I looked, I couldn’t see the tiniest bit of his male instrument – that’s how fat Frank was. That’s to say to people that no matter what your shape or size, there is somebody who will like it. I never got married to Peggy Sue. We broke up that night and she quickly moved on with some guy called Buddy. And I wasn’t mature as I thought I was – I was only foolish. And for a long time I partially blamed myself for Frank’s demise. If only I had not walked in on them. If Peggy Sue had not been my fiancee. He wouldn’t get scared. And the irony is – I am not some big scary guy. So maybe Frank was a decent chap who died of shame when I appeared. Or maybe he was too big of a coward. But then brave enough to make a naked move on my girl. People puzzle me. And by ‘male instrument’ I meant dick.

The Fortinbras issue in Hamlet




The Chorus of Fortinbras

Hamlet, one of the most famous Shakespeare’s plays, follows the title character Hamlet, Prince of Denmark, as he returns home to find his father murdered and his mother remarried to the murderer, his uncle, now the King. Meanwhile, a war threat from Norway looms: Fortinbras, the young Prince of Norway is seeking to reclaim some of Norway land that his father lost to King Hamlet. For analyzing purposes, Hamlet has the main plot: Prince Hamlet plotting to avenge his father by killing Claudius, and two subplots: Hamlet and Ophelia’s love; and the so-called Norway subplot i.e. Fortinbras preparing to wage a war against Denmark. Fortinbras’ decidedness to act is in direct opposition to Hamlet’s hesitancy, and Fortinbras is in that sense usually regarded as Hamlet’s foil in the play. But could there be more to the Fortinbras’ storyline than meets the eye?

Fortinbras and his intentions towards Denmark are unveiled by Horatio early in the play.
“Now, sir, young Fortinbras,
Of unimproved mettle hot and full,
Hath in the skirts of Norway here and there
Shark’d up a list of lawless resolute …                                                                                       But to recover of us, by strong hand
And terms compulsatory, those foresaid lands
So by his father lost:” (1.1.94-103)

His position is revealed before Hamlet’s predicament is made known, and by the time Hamlet finds out the truth about circumstances surrounding his father’s death, there is already one prince in the play, out to avenge his father: Fortinbras.

 As per Encyclopedia Britannica, chorus, in drama and music, is a performing format that involves  “those who perform vocally in a group as opposed to those who perform singly. The chorus in Classical Greek drama was a group of actors who described and   commented upon the main action of a play with song, dance, and recitation … During the Renaissance the role of the chorus was revised. In the drama of Elizabethan England, for instance, the name chorus designated a single person, often the speaker of the prologue and epilogue…”  

In Hamlet, The King of Norway is not aware of his nephew’s belligerent intentions towards Denmark, and when so informed by Voltemand and Cornelius, he
“Sends out arrests
On Fortinbras; which he, in brief, obeys;
Receives rebuke from Norway, and in fine
Makes vow before his uncle never more
To give the assay of arms against your majesty.
Whereon old Norway, overcome with joy,
Gives him three thousand crowns in annual fee,
And his commission to employ those soldiers,
So levied as before, against the Polack: “ (2.2.67-75)

So by the time King Claudius finds out that his nephew Hamlet is not lovesick, but more threateningly troubled, and orders that he be sent to England, there is already one King in the play who misunderstood his nephew’s intentions: King of Norway.
When Hamlet meets the Captain of Norway troops and inquires about their conquest, the Captain states that they “Go to gain a little patch of ground
That hath in it no profit but the name.” (4.4.17-18)

By the time Hamlet inadvertently kills Polonius (whose name means ‘related to Poland’), Fortinbras was already granted passage to invade the land of Poland.
As Michelle Lee (2006) observed, “Elizabethan dramatists proved to be remarkably resourceful in adapting classical conventions to their own works. Elizabethan playwrights … popularized and innovated the choric form to the point that it had become a clichéd theatrical device by the time Shakespeare began experimenting with it. Shakespeare departed from convention, however, when he transformed the figure from a traditional dramatic presenter into a complex character with ambiguous motives who often provides ironic commentary on the dramatic action of the play proper.”
Although Shakespeare used a formal choric figure or prologue in some of his plays, Hamlet is not on that list.  

D.J. Palmer (1982) has an interesting standpoint on the Elizabethan use of chorus and its “ evident tendency …  for the Prologue/Chorus to assume a persona of his own and to adopt an oblique relationship to the play itself. Rarely if ever is such a figure used to tell the whole truth or to embody, Quince-like, the authorial point of view. He sets the scene by more ingenious and indirect means; otherwise, he were   indeed a flat unraised spirit.”
Fortinbras’ story precedes and mirrors Hamlet’s story as the plot develops:

·       King Hamlet kills King Fortinbras. Young Fortinbras wants revenge and some of his motherland back. His uncle is now King; Claudius kills King Hamlet. Young Hamlet wants revenge and (in a way) his mother back. Uncle Claudius is now King.
·       Fortinbras prepares to attack Denmark. King mistakenly thinks he has his sight on Poland. He finds out the truth and orders arrest; Hamlet’s behavior and mood are deteriorating with thoughts of revenge. King Claudius mistakenly thinks he is troubled by love. He finds out the truth and orders trip to England and execution.
·       Fortinbras swears to peace towards Denmark and is cleared to invade Poland; Hamlet kills Polonius (whose name means “related to Poland”)
·       Fortinbras’ Captain tells Hamlet that they are invading Poland for but a name; Laertes forgives Hamlet but still fights for his name/honor.
·       Dying Hamlet gives his blessing to Fortinbras as the rightful new King; Fortinbras appears and states that it is reasonable for him to claim the throne.

           If the Norway subplot with Fortinbras is taken out of the play (as British director Matthew Warchus has done in his 1997. production), Hamlet still has a dramatic foundation solid enough to stand tall, and Laertes is a foil quite fitting to the young Hamlet. After all, Laertes lost both his father and (indirectly) sister to Hamlet, just as Hamlet lost both his father and (figuratively) mother to Claudius. Whilst their troubles bare some similarities, their way of seeking revenge is completely different and serves a good purpose for contrast and comparison. So why bother with Fortinbras at all? Because he is a prince? That does not seem relevant enough to be handed a role by Shakespeare. And yet, his story opens the play, and his words end the play. Fortinbras is so subliminally weaved in the story that his ascend to the throne does not feel unjust at all, and the story comes full circle from when his intentions were introduced in Act I.  Susannah Clapp (1997.) reviewing Warchus production says that:
“Few audiences can ever have watched Hamlet longing for the entrance of Fortinbras. The Norwegian prince is one of the items cut from Matthew Warchus’s production, and he wasn’t missed by me; his excision would be undetectable by anyone unfamiliar with the play. “

By literary conventions, chorus is involved in both the prologue and epilogue. In Hamlet, there is no acknowledged use of chorus, and yet, Fortinbras’ story foreshadows Hamlet’s in all major happenings. The choric format does not conform to Elizabethan clichés, nor does it follow any example that Shakespeare himself has used as chorus. Fortinbras appears in person late in the play, in Act IV, so he is not the chorus per se. It is the entire “Norway subplot” that takes the role of foreshadowing major upcoming events related to Prince Hamlet: not in a straightforward manner, but clearly enough to subliminally form an attachment to Fortinbras so that his ascend to the throne, that seems both farfetched and inappropriate when the play starts becomes a natural resolution to the story when the curtain is about to fall.
To repeat D.J. Palmer’s  (1982) observation of the tendency for the “chorus to assume a persona of his own”, in Hamlet, it seems that Shakespeare takes the chorus to another level by ingeniously giving it an entire subplot lead by, the often thought redundant – Fortinbras.


Works cited:
1.    Clapp, Susannah. “Hamlet.” New Statesman [1996] 23 May 1997: 40+. Literature Resource Center. Web. 29 Nov. 2012.
2.    Lee, Michelle. “Choric Figures in Shakespeare’s Works”. Shakespearean Criticism. Vol. 100. (2006) Gale. From Literature Resource Center. Web. 29 Nov. 2012.
3.    Palmer, D. J. “‘We Shall Know by This Fellow’: Prologue and Chorus in Shakespeare.” Bulletin of the John Rylands University Library of Manchester (Spring 1982): 501-521. Rpt. in Shakespearean Criticism. Ed. Michelle Lee. Vol. 100. Detroit: Gale, 2006. Literature Resource Center. Web. 29 Nov. 2012.
4.    Shakespeare, William. Spark Publishing, 2003. Print.
5.    “Chorus.” Encyclopædia Britannica. Encyclopædia Britannica Online Academic Edition. Encyclopædia Britannica Inc., 2012. Web. 29 Nov. 2012.
6.    Hamlet. By William Shakespeare. Dir. Matthew Warchus. Royal Shakespeare 1997. Performance.

Certified Mail





Marty read ‘The Post Office’ by Bukowski and decided to become a postman. He applied for the job, got a call back, passed all the tests including Exam 473. He knew he would because 473 are the last three digits of his social security number and that was surely a sign. Marty is an avid reader. As a new postman, he reads all the postcards before he places them in the mailboxes. People are skiing in Colorado, France and Switzerland and are happy about it. He would be, too. Somebody witnessed a street mugging in Mexico. Or was it New York? Marty wonders where would Bukowski go on a winter holiday. 
Marty is starting a book. He is going to call it ‘The Mailman’. It’s going to be about his adventures at work. He’s been at the job for a month now and has never met any of the mail recipients. Nobody is ever home when he delivers. Everybody works so no sex for Marty. His book is stuck. A postman’s job was supposed to be exciting. Where are all the women? One day he rings the bell of an apartment to deliver a small package and a man opens the door. He is Asian but Marty cannot tell the difference between Chinese, Japanese, Vietnamese or Korean so he doesn’t know from where. Even the food is the same to him. He sees that the man wears a kimono.
‘Are you Japanese?’ asks Marty handing him the package.
‘Yes’, says the mail recipient in a kimono. He signs the receipt.
‘Is that a book?’ asks Marty.
‘Yes’, says the Japanese man.
‘Oh, I read a lot, too.’
‘I don’t read a lot.’
‘What book is it, if you don’t mind me asking?’
‘The Art of War.’
‘Oh, are you going to war?’ Marty’s attempt at a joke flies unnoticed by the Japanese man.
‘No, I just read’ he says.
Marty looks at his Japanese signature on the receipt sheet. It looks like a delicate piece of art surrounded by bureaucracy.
‘It’s beautiful’, says Marty. ‘Your signature is beautiful.’
‘Thank you’ says Japanese mail recipient.
A door next to his apartment opens and a young woman walks out. She says ‘hello’. The Japanese man nods. Marty says ‘hello’ back and smiles. She smiles, too. She is not pretty but Marty finds her beautiful. She lives in number 5 and nobody ever writes to her. She receives bills and advertising. Her name is Myra. Marty thinks that’s the most beautiful female name he’s ever heard. Sometimes Myra receives lingerie catalogues in the mail. Marty thinks she’s probably ordered something from them before and now they keep sending her catalogues. He wonders what she ordered.

Marty buys a book at the bookstore and mails it certified to Myra. He puts the city as the sender. He also buys a ‘thank you’ note to include and wonders what to write in it. After some thinking he writes ‘thank you for keeping the neighborhood safe’. He then wonders if that makes any sense and what is Myra doing to keep the neighborhood safe. Presumably she is not committing any crimes, so that’s her way.
The next day, the book for Myra appears in his mail batch. He rings Myra’s doorbell to deliver it. He hopes that Myra is home and is happy when she opens the door. Myra is surprised to receive a package. Marty hopes Myra will like the book. He tries to start a conversation. Like most people he mentions the weather. It’s cold.                                       
‘It’s the end of January,’ she says, ‘It’s supposed to be cold.’ She hands him back the signed confirmation. She looks at him straight but does not smile. She’s prettier when she smiles. Her lips part as she takes a breath and Marty thinks about kissing her. She says ‘bye’ and shuts the door in his face.

Marty knows all the names of all the people in the neighborhood. Myra Smith is his favorite. Today she received a new credit card offer with zero percent interest rate. She must have a good credit and Marty is glad for her. He drives his funny mail truck very slowly when he passes by Myra’s condo. He hopes to see her but it never happens. He wonders if she’s read the book.

One day Myra gets another certified package. Marty shakes it. It could be a book. Or a box of chocolate. He checks the sender’s address but it’s a PO box in the city and the sender’s name is ‘sender’. He takes the package to Myra and rings the bell. Myra opens. She wears a terrycloth robe. Marty thinks that there is some black lace peeking underneath but he cannot stare so he’s not sure. Myra also wears red lipstick and Marty watches her beautiful lips as she signs the receipt. She is not surprised like last time. She hands him back the receipt and looks him straight in the eyes. Her eyes are dark but feel like looking at the sun. He looks away.
‘Thank you’, she says softly.
‘You are welcome’. He glances at her wishing he could take her cherry lips and keep them forever.
‘It’s very cold outside’ she says.
‘It’s February. It’s supposed to be cold.’ He immediately regrets those words wishing he’d said something more friendly, more agreeable.
‘Not on Valentine’s Day’, she says.
The Japanese man hears voices outside and peeks through the fisheye. Marty is ready to leave but makes himself look at her ruby lips again. A memory for the road.
‘Would you like to come in?’ says Myra. She smiles and gently bites her lower ruby lip. Marty looks at her not pretty but so beautiful face with cherry lips. He smiles. She’s read the book. She wants her mailman.
‘Yes’ says Marty, ‘I would like that very much.’
Through the fisheye, the Japanese man watches as Marty enters and Myra shuts the door behind him. ‘That sonofabitch’, he thinks in Japanese.